Medal of Excellence to Principal Percussionist
Congratulations to Josh Jones, Grant Park Orchestra Principal Percussionist, who was one of three recipients of the prestigious Sphinx Medal of Excellence.
The Sphinx Medal of Excellence is the highest honor bestowed by the Sphinx Organization, recognizing extraordinary leaders in the classical music field who are transforming lives while addressing the systemic obstacles within Black and Latino communities.
Along with a $50,000 career grant, Sphinx annually awards the Medals of Excellence to three artists who, early in their career, demonstrate artistic excellence, outstanding work ethic, a spirit of determination, and an ongoing commitment to leadership and their communities. The medal was also awarded to violinist Nathan Amaral and conductor Na'Zir McFadden.
“I am humbled to receive this prestigious award,” shared Jones. “I plan to use my platform as a Sphinx Medal of Excellence recipient to continue to share my story and inspire more meaningful conversations and definitive actions towards a more inclusive industry.”
“Congratulations Josh on this tremendous honor, one that feels so fitting for the artist and leader you’ve become,” said Paul Winberg, President and CEO of the Grant Park Music Festival. “Your courage, musicianship, and generosity set a powerful example for all of us, and we’re grateful to have you as part of the Grant Park Music Festival family.”
Internationally acclaimed soloist and Principal Percussionist of the Grant Park Orchestra, Josh Jones is widely recognized for his expressive artistry and dedication to advancing and advocating for equity within classical music. In addition to his orchestral work, Jones has appeared as a featured soloist at Carnegie Hall, and alongside the Pittsburgh Symphony Orchestra, the Grant Park Orchestra, the Kansas City Symphony, and the Calgary Philharmonic.
During his time with the Kansas City Symphony, Jones became a focal point of national conversation when he was denied tenure — a decision that drew scrutiny from musicians, advocates, and organizations, and stirred broader dialogue about equity and inclusion in American orchestras. After a national protest of the decision and reporting by multiple news outlets including the Washington Post, several orchestras updated their own tenure processes by adopting guidelines created by the Black Orchestral Network in conjunction with the American Federation of Musicians. Jones has since dedicated time to continue sharing his experience in hopes that more orchestras implement these changes.
Jones’ career reflects a blend of artistic excellence, educational leadership, and a passionate voice for equity in the orchestral world — making him one of the most compelling percussionists working today.
